Doctor Who - "A Christmas Carol"

WHOSCALE: 3 out of 10

With the close of Series 5/Season 31, it was time for showrunner Steven Moffat to try his writing hand at the one other element of the revived series carried over from the Davies era - a Christmas special. 

I had been keeping close tabs on the production of this episode long before it aired, and both Moffat and Smith commented on the episode prior to it's air date, describing it as "very Christmasy." 

The title of the episode is obviously taken from the Charles Dickens book, which is in a way somewhat ironic, considering that the Ninth Doctor actually met Dickens as he was reading "A Christmas Carol" onstage in "The Unquiet Dead."

Overall, it's no secret to even the most casual viewer what Moffat did with this story - it is essentially Dickens' famous story set on another planet, with certain elements altered or added to give the episode the Narnia-style fantasy tone.

Even as I write this review, I find myself having trouble deciding on a rating that would do the episode justice, but at the same time not contradict the purpose of this review. This review is, after all, a comparison this episode to the likes of the first twenty-six seasons of the series. 

Holiday specials - the Christmas variety in particular - are always a coin toss when it comes to comparing them to traditional Doctor Who. It has always been my firm belief that there is a wrong and a right approach to this type of thing. Unfortunately for Moffat, it pains me to say that this episode is as close to the wrong approach as you can get. I'm speaking in terms of being a Doctor Who episode, of course. Granted, it was a Christmas special, and as such was intended to be just that - an episode filled with Christmas overtones, happy endings, no deaths, no violence, no over the top drama - just a frolicky romp through the snow that kids and adults could watch together on Christmas Day.  

There are elements of this episode that were neat and probably could have served a full-on Doctor Who episode well, such as the fish being able to swim through the fog, but looking back at the last 60 minutes I just watched, it generally feels like I just sat through Moffat's on personal interpretation of Dickens' story, which is what this episode was. There's no room for debate here.

Just for comparison, a decent Christmas Special for this review would be something along the lines of "The Runaway Bride" or "The End of Time." Both stories were set on Christmas, and did contain subtle holiday undertones, but 90 percent of the episodes were solely focused on the issues at hand - The Racnoss and The Master,  respectively. Never did I think I would see the day when I would use RUSSELL T DAVIES AGAINST STEVEN MOFFAT in a comparison, but in the case of Moffat's first special, Davies still holds the most points, by a long shot. To be fair though, Davies' first special was no pageant winner either - "The Christmas Invasion" painfully introduced us to the Tenth Doctor. However, with two three specials under Davies' belt that did reasonably well on the Whoscale, I can only hope that Moffat steps up his game in the future. 

Now that I've bored you to tears ranting about Moffat rehashing an old Christmas tale, I want touch on some of the things in this episode that did some serious damage to it's score. 

Foremost has to be the absolute and total rip off of Abrams' Star Trek film. Shaky cam, a starship bridge, exaggerated lens flares, and a character that could pass for Geordi La Forge. Need I say more? After the special aired, I noted it's likeness to fellow fans, and several fans indicated that this rip off was more than likely done as a mockery of Abrams' film, rather than an attempt to "follow a trend." Nevertheless, this kind of ridiculous kind of film making - the lens flares and shaky cam - has no place in an episode of Doctor Who, mockery or otherwise. 

The other usual deductions were present - overpowering, emotional orchestrated music, complete with a singing of "Silent Night." 

Another was how Abigail's secret was slowly alluded to - it seemed like Moffat wanted the audience believing that she might be pregnant. Maybe that was just me.

There's really nothing else I can say about it in regards to my review. To summarize, Amy and Rory were on a ship, about to crash land into an alien planet (which has a steam-punk appearance and still celebrates Christmas), and in order to prevent this catastrophe, The Doctor takes the longest route available, exercising more time travel in this single episode then the entire previous season put together. 

A great story idea, but it relied far too much on Dickens' original text.