This was the second episode of the revived Doctor Who, and was also penned by Russel T Davies. This episode plunged us into the distant future, at the time of t
he sun's expansion and the natural destruction of our planet. This episode was overall well written and well produced, from a classic Who standpoint. The Steward alien was well-conceived and well-designed, reminding me of a classic Who character from the Colin Baker title, "Timelash."
he sun's expansion and the natural destruction of our planet. This episode was overall well written and well produced, from a classic Who standpoint. The Steward alien was well-conceived and well-designed, reminding me of a classic Who character from the Colin Baker title, "Timelash."The tree species were also neat, which being new to Rose, worked well for a later scene, when Rose was alone on the observation deck, and she attempts a conversation with a small plant, then tells herself, "I'm talking to a plant." There was little orchestral music used, and the music usually only complimented scenes without dialogue - another mark of the original series. Music-less dialogue scenes allowed us to listen, focus, and absorb what was being said, without being distracted by the scores. Additionally, the moods were not forced, so viewers were free to feel whatever they wanted to feel from the dialogue. Later episodes frequently used touching scores to accomodate "tear jerker" scenes, forcing viewers into a corner of emotional upheaveal.
I often said, however, that my biggest complaint with this episode was the obvious attempts by Davies to "dumb down" the stories so that channel surfers wouldn't be disgruntled by entertainment they couldn't understand. Some of the more obvious "dummy marks" were elements to help non-science fiction fans relate to the episode, such as a planet Earth below looking the same as it did when Rose lived on it, and the explanation being a gigantic company opted to move continents back to the way they were in the 21st century, merely for the sake of the planet being destroyed. Choosing 21st century Earth as "classic Earth" seemed a bit too conveinent. Other elements were the relics from Earth - all of them being from iGen's past. The 50's jukebox, referred to as an IPod, the songs heard - Softcell's "Tainted Love" and Britney Spears' "Toxic."
While Cassandra certainly made for a cunning villain, it was obvious what Davies intended her to be - a futuristic diva, with all of the traits of a 21st century diva.
I was pleased with the final scene in the episode, where the Doctor offers Rose one last chance to hop off - stressing that, "You've seen how dangerous it is..." The scene played out well in that the question of whether or not Rose wanted to continue based on her experience thusfar was quickly forgotten with the smell of chips filling the air, and we are left with the Doctor and Rose grabbing a quick bite to eat, and then off to the TARDIS for more adventure.
The End of the World remains one of my favorites of the new series, and still some of Davies' better attempts at a genuine Doctor Who plot.
I agree... mostly. We've already argued about the iGen reilcs and the 'classic' earth over on YouTube, so I won't rehash that, but the rest of your points are pretty much spot on. I actually quite like Murray Gold's scores, and when used appropriately they are quite brilliant. They can, however, come across as emotionally manipulative at times, and in fact some 'emotional' scenes are more emotional without the music. At other times throughout the series the booming James Bond style action themes drown out the dialogue completely, so I'm hoping for a little more restraint in future seasons.
ReplyDelete'The End of the World' is probably my favourite, or at least second favourite, episode of the NuWho Series One. I love it how Rose is taken on her very first trip to the demise of her own world - that has to be sobering, showing that while traveling with the Doctor can be exciting, and beautiful, it can be frightening and sad too, this being a standout theme of the RTD era. There's a lot of humour in this episode, Jabe of the Forest of Cheem manages to be quite appealing and tragic in her short time onscreen, and we get a real sense of the uniqueness and loneliness of the Doctor and his species' special relationship to time (the latter of which I wish they'd picked up on a bit more through the series, but oh well).
I tend to regard 'Rose' and 'The End of the World' as one story, each episode being incomplete without the other. The consequences of Rose's choices in 'Rose' are played out in 'The End of the World,' and the coda in 'The End of the World' in which Rose arrives back on the crowded streets of London ,with her eyes opened, relates back directly to her boredom and frustration at the start of 'Rose'. On Platform One she sees the familiar as alien, then coming home she can use that new perspective to look at her own life, her own world, and see it as no more or less than what it really is, a moment in time. I study anthropology at university, and that is the heart of my discipline right there, in a nutshell, in an episode of Doctor Who.
The show has more depth than a lot of others, and while it occasionally fails to live up to its own high standards, it's still lightyears ahead of the rest.